Wormald dating

Rita Wood is an independent researcher concentrating on the interpretation of Romanesque sculpture in England and working to an academic standard.Her first paper was published in 1994, and since 1995 she has been a fieldworker for the Corpus of Romanesque Sculpture in Britain and Ireland, recording sites in the West and East Ridings of Yorkshire. 1 Author's Introduction 2 List of Publications in order of appearance 3 Amendments and Afterthoughts 4 Index to Articles Having published more than 30 papers in diverse archaeological journals since 1994, I am hoping to make them more widely known through this web-site.The wonderful proficiency of the craftsmen in this period enabled them to reproduce and then develop their model, which was the classical or Eastern motif of a foliage mask. This paper explores the twelfth-century sculpture at Milborne Port from several directions, combining close consideration of the work itself with a variety of contemporary evidence.Tentative suggestions are made as to the meaning of the tympanum and the nature of the original scheme for the building.2 ‘The Romanesque doorway at Foston church’, 91 (1998) 42-56.There are sufficient links with the Order of Cluny to suggest that it was the arrival of Abbot Peter Moraunt and his train c.1141 that made possible the conception of the scheme for the porch entrance.I am glad to record my great debt to Professor George Zarnecki and to Deirdre Mortimer, then Assistant Librarian at the Minster Library, York, for their vision, kindness and encouragement when my art-historical curiosity was in a rudimentary state.Currently, I associate more with archaeologists, but feel that the fences between the two camps are being broken down.

10 ‘Geometric Patterns in English Romanesque sculpture’ 154 (2001) 1-39.

e-mail: [email protected] Back to top Articles 1 ‘The Romanesque doorways of Yorkshire, with special reference to that at St Mary’s church, Riccall’ ] 66 (1994) 59-90.

Yorkshire parish churches have an unequalled series of twelfth-century doorways that have been neglected by researchers.

Manuscripts in the abbey’s library may have fired their imagination to produce this particular plan, which united their Cluniac past with the Anglo-Saxon past of Malmesbury.

There is evidence that influences from here were transferred to Yorkshire in the late 1150s.

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  1. He then invites Mot 'Death' (god of drought and underworld), another son of El, to the feast. The eater of human flesh and blood will not be satisfied with bread and wine. It seems that by the advice of the goddess Shapsh 'Sun', Ba‘al has intercourse with a heifer and dresses the resultant calf in his own clothes as a gift to Mot and then himself prepares to go down to the underworld in the guise of a helpless shade.

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